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“I found exactly what I was looking for, in no time at all. Whether you are writing a eulogy, planning a funeral or memorial service, finding ways to say how sorry you are in a sympathy card, crafting an obituary, attempting to console yourself and others or just trying to make sense of it all, the right words have a wonderful ability to soothe the soul. One of the things you often struggle with after a loss is finding the perfect words to express your feelings. Whoever you have lost, this carefully crafted collection of sympathy poems, quotations and readings will help you find the words to express your sorrow, pay tribute to your loved one and do justice to a life lived. This user-friendly book is supplied via instant download, giving you quick access to all the resources you need and helping to reduce stress at this sad time. You may well have been called upon to write a eulogy or speak at a funeral at very short notice, leaving little time to find a suitable poem or reading. You’ve just found the most comprehensive and thoughtful collection of funeral poems, quotes and readings available today. If within the first 60 days of receipt you are not satisfied with Wake Up Lean™, you can request a refund by sending an email to the address given inside the product and we will immediately refund your entire purchase price, with no questions asked.ĭon’t lose valuable time searching for the perfect poem or reading -we’ve already done all the hard work, to save you the trouble. Look no further. Hope you liked this poem.Product Name: Do Not Stand At My Grave And Weep – Over 250 funeral poems, instantlyĬlick here to get Do Not Stand At My Grave And Weep – Over 250 funeral poems, instantly at discounted price while it’s still available…Īll orders are protected by SSL encryption – the highest industry standard for online security from trusted vendors.ĭo Not Stand At My Grave And Weep – Over 250 funeral poems, instantly is backed with a 60 Day No Questions Asked Money Back Guarantee.
This was a beautiful poem and one that seems highly relevant in the present scenario, as death tolls from around the world rise in a staggering manner. The inclusion of nature to capture such profound notions is also a widely loved feature of this poem. Poetic devices used include, hyperbole, imagery, rhyme and metaphor. The clear and empathetic claim that he/she is not there in the ground, but is alive is aimed at setting the mourner at peace. These lines would imply death being a new beginning, rather than an end, as is popularly believed. The poem ends on a firm note, with the reader being told to not weep, for the speaker has not died. These lines imply that a dead person never truly leaves us and is ever present in the soothing elements of nature. Apart from being there in the morning, the speaker says he/she will also be present at night in the form of the ‘ soft stars‘. The speaker further continues to soothe the reader letting them know that they’ll be there every morning, the mourner greets a new day, alive in ‘ the swift uprush of quiet birds‘. The descriptive phrases here, especially ‘ diamond glint‘ and ‘ ripened grain‘ add a rich element of imagery and structure to the poem. In the subsequent lines, the dead person is comforting the mourner, assuring them that rather than being dead, and in a grave, they are very much alive and present in every bit of nature. Widely read at funerals, this poem is aimed at soothing those who are mourning the loss of a loved one, with the dead person assuring them that they are not confined to their graves. Often noted for the authoritative tone evident in the first few lines, this poem starts with the speaker dictating the reader to not weep at his/her grave for they are not there in the grave. From Goodreads, ‘The poem for which she became famous was originally composed on a brown paper shopping bag, and was reportedly inspired by the story of a young Jewish girl, Margaret Schwarzkopf, who had been staying with the Frye household and had been unable to visit her dying mother in Germany because of anti-Semitic unrest.’ Written in 1932, this poem was written from the perspective of a person beyond the grave, someone who was well aware of what it felt like to die.
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